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(1962)', and was to be called "Whatever Happened to Cousin Charlotte?". Bette Davis' torment of Crawford (who had actively campaigned against Davis' Oscar nomination for "Baby Jane") became so oppressive that Crawford pleaded illness in order to get out of the production. I also found the performance of Agnes Moorehead as Charlotte’s servant Velma, borderline annoying, even though she won a Golden Globe for it as Best Supporting Actress.
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Ultimately, Hush...Hush, Sweet Charlotte was a solid film, but it could never fully escape the shadow of Davis' contentious team-up with Joan Crawford in the macabre hit, Whatever Happened to Baby Jane?. Robert Aldrich’s followup (but no relation) to What Ever Happened to Baby Jane? Bette Davis again stars, with Olivia de Havilland returning to the screen in the role which Joan Crawford started but due to continued illness had to abandon. Robert Aldrich's followup (but no relation) to What Ever Happened to Baby Jane? Olivia de Havilland replaced Joan Crawford after the latter fell ill just before production was about to begin. Flash-forward almost forty years to 1964 and the events of that grisly evening have continued to haunt Charlotte ever since.
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Not only did Davis lose, she had to watch Crawford revel in the glory. According to Hollywood legend, Davis started to force the cast and crew of Sweet Charlotte to pick sides in their personal rivalry. When Crawford arrived in New Orleans to start doing principle photography, no one picked her up at the airport. Immediately, she fell "sick." She was sick for about two months, forcing Aldrich to hire a private investigator to snoop and see if she was faking it or not. In the historic first criminal trial of an ex-president, Donald Trump faces 34 felony counts of falsifying business records to cover up a violation of campaign finance law. But despite such a major event, there are no video cameras allowed in the courtroom, and no still photos save for those typically taken of the defense table in a minute-long photo opportunity.
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Hush… Hush, Sweet Charlotte – film review
Following the hugely successful What Ever Happened to Baby Jane? This glorious melodramatic chiller follows a Southern woman’s (Davis) mysterious descent into madness after the return of her cousin (de Havilland). The main story swings to the present, again in the mansion where Davis lives alone with her memories which threaten to destroy her.
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Believing Charlotte completely mad and secure in her room, Miriam and Drew go into the garden to discuss what they have done. As Miriam embraces Drew, she looks up to see Charlotte, who has overheard them, push a huge stone urn from the balcony above, crushing them to death. Later, as Charlotte is taken away by the authorities, Willis hands her an envelope from the now-dead Jewel Mayhew; it contains Jewel's confession of the murder of her husband. Following the unexpected box office success of What Ever Happened to Baby Jane?
She has stayed closeted in the same mansion in the fields of Louisiana but is now being forced to move, her home to be demolished to make way for a bridge and new roads. We’re told that ‘she could live anywhere in the world like a Queen’ but she dreads the idea of being forced out. Miss Charlotte, when this movie begins, is a young debutante in love with an older, married man John Mayhew (Bruce Dern). Her dictatorial father has discovered a plan between the pair to elope to Baton Rouge after an upcoming grand ball – he vows to put an end that idea. The title song by Frank de Vol became a hit for Patti Page, who recorded a version which reached no. 8 on the Billboard Hot 100. Scenes outside the Hollis mansion were shot on location at Oak Alley plantation in Louisiana.[10][11][12] Scenes of the interior were shot on a soundstage in Hollywood.
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And not only that, but Charlotte also appears to worsen mentally with Miriam’s arrival, suffering what appear to be vivid hallucinations, where she hears and sees her former lover. New York City police arrived at Columbia University Tuesday night in an armored vehicle used a mechanical ramp to enter and clear an occupied academic building through a window, as hundreds of protesters below looked on or were arrested by police on the ground. The New York Knicks have a chance tonight to eliminate the Philadelphia 76ers and advance to the second round of the N.B.A. playoffs. It would be just the second time since the turn of the millennium that both the Knicks and the New York Rangers — both of whom play in Madison Square Garden in Manhattan — win a playoff series in the same year. A semi-autobiographical musical by Alicia Keys (“Hell’s Kitchen”) and a play about a group of musicians struggling to record an album (“Stereophonic”) led the way today with 13 Tony nominations each. Afterward, the jury heard from Keith Davidson, the lawyer for Stormy Daniels who negotiated the $130,000 hush-money payment at the heart of the case.
Charlotte overhears the entire conversation from the balcony, except for Miriam's admission that she had witnessed Jewel kill John, and has been using the knowledge to blackmail Jewel throughout the years. Charlotte pushes a large stone urn off the balcony, killing both Miriam and Drew below. Moorehead won the Golden Globe Award for Best Supporting Actress.
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(1962), Aldrich wanted to make a film with similar themes for Joan Crawford and Bette Davis. Their feud was infamous and legendary, and they were not initially eager to repeat themselves. Writer Henry Farrell, on whose novel the film had been based, had written an unpublished short story called "What Ever Happened to Cousin Charlotte?" that Aldrich envisioned as a suitable follow-up. Aldrich's frequent collaborator, Lukas Heller, wrote a draft of the screenplay, but was replaced by Farrell in late 1963. Thirty-seven years later, Charlotte, a spinster, having inherited the estate after her father died, is tended to by her loyal housekeeper, Velma. In the intervening years, John's death has remained an unsolved murder, though it is commonly held that Charlotte was responsible.
Instead, the film is more notable for helping to pave the way for horror movies to attract big stars and be taken seriously by the critical community — things the genre still struggles with today. Davis’ portrayal is reminiscent of Jane in its emotional overtones, in her style of characterization of the near-crazed former Southern belle, aided by haggard makeup and outlandish attire. It is an outgoing performance, and she plays it to the limit. De Havilland, on the other hand, is far more restrained but none the less effective dramatically in her offbeat role. The next morning the authorities take Charlotte away, presumably to an insane asylum or possibly to a new home for herself. Many neighbors and locals gather at the Hollis home to watch the proceedings, believing that crazy Charlotte has murdered again.
However, the shoot was temporarily suspended on several occasions early on. Initially, it was halted after a third-party lawsuit was brought against Davis by Paramount Pictures over a commitment to complete additional filming on Where Love Has Gone (1964). The Louisiana Highway Commission intends to demolish her house and build a new highway through the plantation.
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